Season
- Season 2 1961-09-18
- Season 1 1960-10-03
Episode
- Episode 1: Count Seven!
- Episode 2: The Wedding Guest
- Episode 3: One for the Road
- Episode 4: Daphne, Girl Detective
- Episode 5: The Empty House
- Episode 6: Witness for the Defense
- Episode 7: Laugh for the Lady
- Episode 8: The Affairs at Hotel Delight
- Episode 9: Jonathan Wembley Is Missing
- Episode 10: The Old School Tie
- Episode 11: A Matter of Seconds
- Episode 12: Prescription for Panic
- Episode 13: A Slight Case of Chivalry
- Episode 14: Pattern for a Frame
- Episode 15: The Roust
- Episode 16: The Quarterback
- Episode 17: Separate Checks
- Episode 18: Artful Deceit
- Episode 19: Anniversary Special
- Episode 20: The Surfside Swindle
- Episode 21: Who Is Sylvia?
- Episode 22: Find Leroy Burdette
- Episode 23: Many a Slip
- Episode 24: The Green Beret
- Episode 25: Vendetta Arms
- Episode 26: A Piece of Tommy Minor
- Episode 27: Portrait of Nicole
- Episode 28: Elegy for a Bookkeeper
- Episode 29: The Money Game
- Episode 30: Irish Pride
- Episode 31: Green Bay Riddle
- Episode 32: Love Song for a Deadly Redhead
- Episode 33: Dead Heat
- Episode 34: Squeeze Play
- Episode 35: A Private Eye for Beauty
- Episode 36: Masquerade
- Episode 37: Pawn's Gambit
- Episode 38: The Neutral Corner
- Episode 39: House on Boca Key
- Episode 40: Midnight for Prince Charming
Surfside 6
5/10 users Surfside 6 was an ABC television series which aired from 1960 to 1962. The show centered on a Miami Beach detective agency set on a houseboat and featured Troy Donahue as Sandy Winfield II; Van Williams as Kenny Madison; and Lee Patterson as Dave Thorne. Diane McBain co-starred as socialite Daphne Dutton, whose yacht was berthed next to their houseboat. Margarita Sierra also had a supporting role as Cha Cha O'Brien, an entertainer who worked at The Boom Boom Room, a popular Miami Beach hangout at the Fontainebleau Hotel, directly across the street from Surfside 6. Surfside 6 was in fact a real address in Miami Beach, where an unrelated houseboat was moored at the time; it can also be seen in the sweeping aerial establishing shot of the Fontainebleu in 1964's Goldfinger.
